Avenged Sevenfold

Their debut album, Sounding the Seventh Trumpet (2001), was recorded while the members were still teenagers and released on the indie label Good Life Recordings. It was raw metalcore — aggressive, screamed, and hungry. The follow-up, Waking the Fallen (2003), raised the stakes considerably and has since been certified platinum in the US. But it was City of Evil (2005) that announced Avenged Sevenfold to the world at large. Abandoning metalcore almost entirely in favor of sprawling hard rock and traditional heavy metal, the album went platinum and produced massive singles including "Bat Country," "Beast and the Harlot," and "Seize the Day." Guitar World ranked it among the 100 greatest guitar albums of all time. Their self-titled fourth album (2007) debuted at number four on the Billboard 200, won the Kerrang! Award for Best Album, and was later included in Kerrang!'s "666 Albums You Must Hear Before You Die."

The band's history was permanently altered on December 28, 2009, when founding drummer Jimmy "The Rev" Sullivan was found unresponsive at his Huntington Beach home and pronounced dead the following morning. He was 28. The cause was acute polydrug intoxication. Sullivan had been the creative and spiritual center of the band — a drummer of rare technical ability who also sang, co-wrote, and composed orchestral arrangements. The remaining members faced an agonizing decision about their future. They chose to press forward, enlisting Dream Theater's Mike Portnoy to complete the drum tracks for the album they had been recording. That album, Nightmare (2010), debuted at number one on the Billboard 200 — the band's first chart-topper — and stands as both a tribute to Sullivan and one of the most emotionally charged records in their catalog. Portnoy toured in support of the album before departing; he was replaced by Arin Ilejay, who played on Hail to the King (2013), another Billboard 200 number one. Ilejay was later replaced by Brooks Wackerman, who has anchored the drum chair ever since.

The band continued pushing into new territory with The Stage (2016), a surprise-released progressive concept album that drew comparisons to Pink Floyd and earned widespread critical acclaim, and Life Is But a Dream... (2023), a dense and experimental record that demonstrated A7X's refusal to stand still after more than two decades. Across their catalog — Sounding the Seventh Trumpet, Waking the Fallen, City of Evil, Avenged Sevenfold, Nightmare, Hail to the King, The Stage, and Life Is But a Dream... — they have sold over eight million albums worldwide, earned multiple platinum and gold certifications in a dozen countries, and headlined arenas and festivals across every major market.

Wayne Dennon photographed Avenged Sevenfold during their relentless years on the road, capturing a band whose live show has always matched the scale of their ambition. From the intricate guitar interplay of Synyster Gates and Zacky Vengeance to M. Shadows' commanding presence at the front of the stage, A7X demanded the kind of attention that great concert photography rewards — and Wayne delivered.