Peter Frampton — Concert Photography by Wayne Dennon
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Peter Frampton was born on April 22, 1950, in Beckenham, England, and began performing professionally in his early teens. Raised in a conventional middle-class family, Frampton was a musical prodigy, teaching himself to play the guitar at age 7, and within the next few years, he mastered complex jazz, blues and rock riffs. The Herd were an English rock band, founded in 1965, and in 1966, 16-year-old Peter Frampton joined as lead singer and guitarist. The band had three UK top twenty hits in the late 1960s, including "From the Underworld" and "I Don't Want Our Loving to Die," before Frampton left in 1968 to form Humble Pie with Steve Marriott. The hard rock outfit Humble Pie formed in Essex, England in 1969, showcasing former Small Faces frontman Steve Marriott and one-time Herd guitar virtuoso Peter Frampton, and also featuring ex-Spooky Tooth bassist Greg Ridley along with drummer Jerry Shirley. Frampton's true breakthrough came after he left Humble Pie in 1971 to launch a solo career, releasing several albums that built only modest commercial traction. Frampton was A&M Records' fourth solo album after he left Humble Pie, following Wind of Change (1972), Frampton's Camel (1973), and Somethin's Happening (1974), all of which perished in the chart's lower reaches. Everything changed with his 1976 double live album. Following four solo albums with little commercial success, Frampton Comes Alive! was a breakthrough for Frampton. It reached number one on the Billboard 200 the week ending April 10, 1976, eventually spending a total of 10 non-consecutive weeks in the top spot through October, and was the best-selling album of 1976, selling over 8 million copies in the US and becoming one of the best-selling live albums to date, with estimated sales of 11 million worldwide. "Show Me the Way," "Baby, I Love Your Way," and "Do You Feel Like We Do" were released as singles, and all three reached the Top 15 on the Billboard Hot 100. The album's iconic cover, featuring Frampton mid-performance with his Gibson Les Paul, became a defining image of 1970s rock stardom.
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At the peak of Frampton Comes Alive! mania, so many people showed up to one of his stadium shows with Yes that the police arrived with riot gear
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